Music is Art June 12 &13 2004 Chameleonwest Studio
by Kevin J. Hosey
Robby Takac, previously and better known to many as Robby Goo, has become a hero to many people in Buffalo and Western New York for his membership as bassist, vocalist and songwriter for the Goo Goo Dolls, the best selling Buffalo act in many years (possibly ever) and for his infectious humor and friendliness.
Well, after the success in almost every way of the second annual Music Is Art Festival, held mostly outdoors and a bit indoors at Chameleonwest Studios in the Allentown portion of Buffalo, he may become a hero to even the more grizzled and cynical music community members and observers.
Takac and producer, engineer and musician Marc Hunt, operate Chameleonwest and its associated record labels and other recording
The Goo Goo Dolls rounded off the weekend
activities. They started the Music Is Art Festival last year as a one-day event, and expanded it into a two-day, more than 50-band event, and also expanded the non-music part with many local photographers, painters, other artists and dance troupes displaying their works and performing (note of disclosure: my wife, Web site photographer and web mistress Val Dunne, was one of the photographers displaying her work here). The sense of artistic community of all of this went absolutely hand-in-hand with fun, and quite frankly, the Music Is Art Festival has passed the Allentown Arts Festival (which seems to have become the Allentown Arts and Crafts Show to me) in quality, relevance and the above-mentioned fun.
The highpoints of the festival came at the end, when Takac took the stage with the all-female basically folk rock band Anatara, as well as a keyboardist and drummer, and absolutely ripped things up with several Ozzie Osbourne songs. “I Don’t Know” began the mini-set with Takac’s voice starting to shred up a bit but still sound strong enough to bring back memories of when he was the Goo Goo Dolls’ lead singer (in the beginning). Takac dedicated the song to everybody he grew up with in West Seneca (a Buffalo suburb), smiled ear-to-ear as he extended several secret devil signs and was overcome with laughter as he forgot some of the words and one of the guitarists took over before he picked up the mike again and said “OK, I’m back.” After they ran through a strong version of “Crazy Train,” Takac laughed, “I feel like I’m in high school again,” and then led the group through “Suicide Solution,” strapping his bass on to join in for the end of the song.
Anyone standing backstage or, like Val and the other photographers, in the pit surrounding the front of the stage, knew what “special guest” meant, although there probably weren’t too many present that didn’t have at least a suspicion. From where I stood, John Rzeznik, Johnny Goo, could be seen in the window of the studio, pacing like he usually does before a show.
“How about a little Goo Goo Dolls?” Here’s my partner for 20 years, John. I was going to sing, but I think I Ozzyed out my voice,” Takac said, and the duo played two songs, “Black Balloon” and a really good version of “Broadway.” While I should have expected it, I still got a laugh out of the two female teenagers/young adults I saw holding up their cell phones so whoever they had called could see about 15 seconds of video of the show.
While Val and I got to talk to Takac a few times during the two days, it was more to catch up on things than do a formal interview, with the many things he had to do, but I did ask him about the second straight year of difficulties his festival has had with the organizers of the Allentown Arts Festival, almost including legal action.
“I never thought I’d say this, but thank God for Ronald Reagan (who died less than a week before the Music Is Art Festival),” Takac said with a laugh. “The courts were closed Friday (when his attorney and other organizers called him about an alleged attempted injunction). What’s up with them? I got a call Friday that I should go to City Hall; ‘oh, boy,’ I thought.”
Actually, oh, boy is what the vast majority of people attending the event, including the musicians, artists and dancers, as well as those of us covering it, thought. Takac, Hunt and company ran the event as a family-friendly one without cutting back in any way in the rock and roll content, and no censorship was involved (see my comments on the performance of Anal Pudding below). Not only musicians, artists and dancers, but their spouses and significant others, were allowed VIP privileges, which was a great help when we needed just to sit down or to grab a bottle of water, although the food was very good both days. Takac himself was busy from start to finish and never ran out of time to greet or talk to anyone involved or just saying hello. He greeted Val and I with hugs and a quick update before he dragged us over to a water basin arranged in a rather Catholic manner: “So, do you like this baptismal pool?”
Local photographers work on display
Artist Jeremy Sheridan's mural-in-progress