Anyone expecting a somber evening of voice and guitar sad stories by Peter Case was either surprised or disappointed (and didnt read my interview from late September) by the show Case and the three-piece band accompanying him played; lots of blues, several cover songs and an easy, sometimes sloppy rocking 3 hours-plus of music is what resulted.
Joined at first by childhood friends Mark Winsick on guitar and vocals and Jim Whitford on bass and vocals, as well as drummer Rob Lynch, and later with childhood friend and bandmate Mike Bannister on drums and percussion, Case and company played Case originals, a couple of Plimsouls songs, some of Whitfords songs and a bunch of covers, to the delight of a packed house. Things started with a bluesy, twangy cover of, I thought, If You Hear Me Howling by the Rising Sons, with Peter playing both electric piano and harmonica, but I cant find the title. The band followed up with a fun run through of Mystery Train, as Case bounced around with energy, adding a nice harmonica solo and a better trading of solos blending into a duet with Winsicks guitar. He modestly introduced his next song with heres a song I wrote, no, I made up, before playing a slow, country and blues version of one of his best songs, Two Angels, also a bit fuller sounding than normal (its no surprise that Whitfords previous band, The Pine Dogs, covered the song). When the band played a song with Winsick singing, Case was lost in his harmonica playing, to an intensity that belied his recovering from a back injury. A great Marvin Gaye cover (my notes and any actual Marvin Gaye song dont even come close) featured rough, bluesy, hard hitting dance music, including a snarling guitar solo from Winsick, before Whitford took over lead vocals for the dirty blues of Sugar in My Coffee Cup, which, after a smart bluesy bass vamp by Whitford to start, turned into a virtual classic rock/Doors jam.
Case picked up his acoustic guitar and joined the band on Lost in the Sky, his ode of sorts to fear of flying, before returning to electric piano, and Bannister added some maracas before talking over from Lynch on drums for a battered Bumblebee, some country blues and a really good performance of the Plimsouls Oldest Story in the World, and ended their first set a song later.
The second set started with a rollicking Shine Your Light, with Cases harmonica cutting through the mix followed by a long instrumental section highlighting Winsicks guitar and Case on harmonica. As Case changed a broken string on his guitar, the band launched into a raw, rocking run through of a great Whitford song, Crash All Night; Case eventually joined in on electric piano. Case got the audience joining a sing-along on the chorus of Somethings Coming, a noticeably optimistic song on needed change, and followed it with another of his songs, Coulda Woulda Shoulda, which he introduced as a country northern song. Case then strapped on an electric guitar as the band played several bluesy roots rock songs, and then got the already loud crowd screaming with a strong version of the Plimsouls A Million Miles Away. After earlier covers of Dylans Stuck Inside of Mobile with the Memphis Blues Again and Highway 61, Case noted, heres another sing along. Were going to go through the whole Highway 61 Revisited tonight, before playing Like a Rolling Stone to end the second set.
The band returned for an encore that started with an extended roots rock/blues song, with Case seeming hell bent in his electric guitar playing, eventually ending on top of the speakers. Case and band then pretended they were done before quickly returning for a fantastic version of Ice Water and then ending the night with a cover of Its All Over Now. After the show, Case said he had a great time playing with friends as well as in front of other friends and family, and people who had caught Case about as many times as Val and I have said it may have been the most relaxed and playful they had witnessed Case perform. Regardless, it was a damn good show.
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